In this post-digital age, digital technology is no longer a revolutionary phenomenon but a normal part of everyday life. The mutation of music and film into bits and bytes, downloads and streams is now taken for granted. For the world of book and magazine publishing however, this transformation has only just begun. In this book, Alessandro Ludovico re-reads the history of media technology, cultural activism, and the avantgarde arts as a prehistory of cutting through the so-called dichotomy between paper and electronics.